Sizzle.

I always get a bit nervous when I turn the voltage up to 98 to hit this green. I wear gloves, but still. The water sizzles as the color changes.

Greenish rainbow bronze infill.

Ten are in stock. They'll ship out with a little something extra too.

This is after the first two anodizing dips. The un-anodized portion raw before we hit it with 13 volts to infill bronze.

Sarah Sze at the Guggenheim. Notice sweaters? and then tensioned string attached to and anchoring floor triangles?!

Anchors.

On Sunday after the rain, we visited Sarah Sze and Gego (Gertrud Goldschmidt)'s shows at Guggenheim. We're big fans. I found myself wanting more of an entry point into Sze's work. Smaller sculptures, or scaled models that felt more intimately connected to her ideas. This wish sort of was fulfilled, but in the form of work by Gego, whose sculptures were on the lower loops. We always go top down at Guggleyheim.

One of my main curiosities when I look at art is to see how it physically anchors, or sits in the space. I think I'm interested in this because most of the sculptures I make need wall power. Which in itself, very much feels like an anchor, it feels physical, but it's not structural. So that is something to consider.

Above and below are 2 snaps of Gego's sculptures I took before my phone died. I was curious about how the above ones rest on and connect with the wall. And the one below is really just so damn weird and cool if you look closely. A piece of fiberboard or something mounted to an aluminum frame, and then hung with the wire showing 💯. And then the whole thing is encased in a clear acrylic box (probably for preservation?). Its really weird and specific. And I liked it so much.

Through your 👀.